I cross the Fond Du Lac Reservation on Highway 2 and approach the little town of Floodwood. The road’s empty save for one car about a football field behind me.
I wonder if the driver sees my out-of-state plates. It’s a long way from southern Ohio to northern Minnesota. The driver’s probably rolling his eyes right now. Another tourist wanting a piece of the local celebrity.
I’m in Minnesota to do the popular Grandma’s Marathon in Duluth, located north of Minneapolis on the western rim of Lake Superior. Only a short distance northwest is Hibbing, a small mining town tucked away in the piney woods. Hibbing is also the hometown of one Robert Zimmerman, who later became Bob Dylan. It’s ironic such a musical giant emerged from this tiny, isolated place. And also a bit surreal, like the man’s songs. Dylan was a reluctant pied piper for a generation. Much of his appeal stems from the fact that the man and his music can be difficult to grasp. That, and because he was writing song-poems in his twenties with the wisdom of one who’d lived a hundred years.
When did Robert Zimmerman become “Bob Dylan”? At one time he was just a pudgy Jewish kid whose dad worked in an appliance store. There must’ve been some kind of epiphany here in Hibbing. Maybe I can conduct my own mining expedition and unearth it. But I feel more than a little self-conscious about invading this town, half-asleep with ghostly memories. Hibbing was, at one time, a major exporter of iron ore. But the mines dried up long ago.
Interviewer at 1965 press conference: Do you consider yourself a musician or a poet?
Dylan: I think of myself more as a song and dance man.
I make a right onto route 73. “Hibbing: 38 miles” reads the road sign. Now I have the road to myself. I only see two cars the rest of the journey to Hibbing.
The first thing I notice when I enter Hibbing is the usual nauseating commercialism: a Home Depot, a Kentucky Fried Chicken, an Apple computer store, etc. Then I see a sign pointing to “Downtown.” Yeah, this is what I want. The town as it was in the 1950s, when Bob Zimmerman was chewing bubble gum underneath a streetlamp.
The buildings grow closer together, and I start seeing people on the sidewalks. I’m looking for a restaurant I read about in my old Rand McNally road atlas. It’s a tourist trap with Dylan memorabilia plastered on the walls. But it supposedly has good food. Maybe I can locate someone who knew Dylan as a kid. Not sure what I would ask him, though.
I drive slowly down First Avenue, but no signs about the “Z Man.” Then I make a right on Howard Street. Lots of old, dirty buildings with large, painted letters stenciled on the brick and which have faded over time. A few restaurants, but nothing related to Dylan. Half of me anticipates a huge billboard announcing Hibbing as “Hometown of Bob Dylan.” I’m surprised I haven’t seen this yet, but also a little pleased at the town’s restraint.
At the end of Howard Street, on the corner, I finally see something. A large sign, “Zimmy’s,” with a huge photo of early ‘60s era Dylan. I quickly swing into the side street and find a parking spot.
But it turns out that, although lunchtime on a weekday, Zimmy’s is closed.
I need to talk to a local. Someone who might know where the Dylan sites are. I duck into a Goodwill store. Too crowded. I don’t want the customers to hear me ask the clerk “Excuse me, where can I find…?”
I find a sporting goods store with one employee. She’s a teenage girl. An easy target. When I ask her, she says there’s a street named after him, but that’s all she knows. I pretend to be interested in the Hibbing Bluejackets t-shirts that are on sale. Then I thank her and saunter out the door.
Feeling hungry, I decide to find a restaurant for a burger and beer. Walking down Howard Street, though, I glance down a side street and see an odd sight: a white camper trailer sandwiched between buildings, with a patio table and blue-and-white striped umbrella in front. A sign on the trailer advertises “GYROS.” This gyro trolley seems so out of place, I just have to give them some business. I approach an elderly man and a young girl who are chatting underneath the umbrella. When the girl sees me coming, she jumps up excitedly and asks if she can help me. I order a gyro. Then I start a conversation with the man.
“Nice little restaurant you have here. I didn’t know there was a Greek restaurant in Hibbing!”
“Yep, yep. We got ‘em all. Yessir, anything you want.”
He has a thick Minnesota accent, reminiscent of one of the extras in the movie Fargo.
“I’m up here from Ohio to run the marathon in Duluth” I tell him. “But I had to stop by Hibbing to see Bob Dylan’s hometown.”
“Oh, that’s a big race, yeah, real popular. You gonna win it?” he asks with a chuckle.
“Well, I doubt it, but I’ll try!” I laugh. Then I get back to the subject at hand.
“Are there any Bob Dylan sites in town?”
“Oh, I think there might be something in the Memorial Building. I was never a big fan. Not my type of music. I was more, uh, sort of…”
“Country?” I venture a guess.
“Yep, yep. Country. Dylan just wasn’t my cup of tea. I was in the Air Force, then on the police force. Can’t say I’ve heard much of his music.”
The girl hands me my gyro, which is gigantic. She’s been smiling the whole time. Despite making very little progress regarding Zimmy, I like the people in Hibbing.
“Does he ever return to Hibbing to visit?” I ask.
“No, I don’t think he ever has, at least that I know of. He sort of turned his back on us.”
“He’s pretty private, from what I hear,” I offer. “Maybe he’s tired of being a spectacle.”
“Yep, yep. That’s probably it.”
“Well, guess I’ll check out the auditorium. Nice talking to you!”
“Yep, nice talkin’ to you too! If you win that race, bring back some of that prize money to Hibbing!”
I tell him if I do, I’ll buy a dozen gyros, which gets him laughing.
I soon find myself on another side street, where a cop is getting out of a car. He looks like he’s in his late ‘30s or so. I walk up to him.
“Excuse me, sir, do you know where I can find Hibbing Memorial Building?”
He gives me a quizzical look. “Straight down this street, then left at the third intersection. What exactly you want there?”
Typical suspicious cop. “I was told there might be something there about Bob Dylan.”
“Oh. Well, the historical society’s in the basement. They might have something.”
“Are there any other sites in town associated with Dylan?”
“Well, there’s 7th Avenue – or Bob Dylan Drive, the street he lived on. There’s also Zimmy’s, a restaurant. But they closed down for some reason. I don’t think the owner was paying taxes. Other than that, I don’t know of anything. I was never a fan.”
“Ok, thanks.” I can’t understand the indifference of these people. Even if you don’t like his music, HE’S BOB DYLAN FER CHRISSAKES!!
(People) walk up, they think they know me because I’ve written some song that seems to bother them. So they walk up as if we’re long lost brothers or sisters or something. Well, that’s got nothing to do with me. And I think I can prove that in any court.
On the way to the Memorial Building, I see the town library. I make a beeline for it. If they don’t have anything on Dylan, it’s a lost cause.
The library is small, just one floor. There are scattered posters in the glass lobby, including one advertising Gary Puckett and the Union Gap, scheduled to appear at Memorial Building in July. A smaller poster advertises a Bob Dylan Exhibit in the library basement. Hmm.
I wind my way through the glass in the lobby and find a staircase. Down I go. In the basement, there’s a long hallway with a wooden door at the end. I follow the hallway, past a room with three or four people seated in front of computers. They glance up at me as if I shouldn’t be here. They must be either hunting for jobs, or wasting time on Facebook.
I reach the door. In the center at eye level is a shabby photo of Dylan with the words “Bob Dylan Exhibit” taped underneath. I turn the door handle. Locked.
I climb back to the main floor and shyly approach the woman behind the main desk. She’s 30-ish, gangly, long black hair, thick black glasses. Very librarian-ish.
“Yes, I’d like to see the Bob Dylan exhibit, but the door is locked.”
“Oh. Ok, just a second.”
She picks up a phone. “Chrissy, could you please unlock the exhibit room?”
She looks at me and says “Chrissy will let you in.”
I go back downstairs, past the Facebook people, down the long hallway, and stand in front of the door. Soon, the door opens, and I see an attractive blonde girl.
“You must be Chrissy!” I say.
“Yes!” she responds with a smile.
Chrissy lets me in, then disappears into another room. I wander around the exhibit room. On the walls are about 50 or so photos of Dylan during various phases of his life, from the time he was in kindergarten on up to his being presented the Presidential Medal of Freedom by President Obama. There’s also a life-size dummy, a giant Dylan-and-guitar scarecrow. A large rectangular conference table occupies the middle of the room, but nothing’s on it except a small binder with identifiers that describe the photos.
I spend about 45 minutes here, concentrating mainly on the pictures of Dylan while he was in Hibbing. It turns out he led two rock bands as a teenager, the Cashmeres and the Golden Chords. He was also a big Little Richard fan, judging by the remarks in his high school yearbook. Also a member of the Latin and Social Sciences clubs.
There’s also a photo here of a beautiful, Nordic-looking woman with creamy blonde hair. She looks a little like the French actress Brigitte Bardot. I soon learn this is Echo Hellstrom, whom Dylan dated. They spent a lot of time watching movies together at the Lybba Theatre, which was named after Dylan’s grandmother. In fact, his mother’s side of the family lived in Hibbing as far back as his great-grandmother.
I wonder what this icy beauty saw in young Robert Zimmerman, who wasn’t exactly the handsomest teenager. She must have seen a few kernels of genius beyond those chubby cheeks.
I spend about 45 minutes reading the “exhibits,” then sign my name in the visitors’ register. “Don’t follow leaders/Watch the parking meters.” I peek in the back room to ask Chrissy a few questions, but she’s nowhere to be seen. No other visitors have joined me.
I leave the library clutching a pamphlet, the “Hibbing Historical Walking Tour.” I learn that Boston Celtics center Kevin McHale, Yankees great Roger Maris, Manson Family prosecutor Vincent Bugliosi, the guy who started Greyhound Bus Lines, and various distinguished politicians and hockey players are also from Hibbing. Most importantly, the pamphlet has a mapped walking tour of Bob Dylan sites: the aforementioned Zimmy’s and Lybba Theatre; his boyhood home; the synagogue where he worshipped with his parents; the Androy Hotel where he had his Bar Mitzvah party; even the bowling alley where his bowling team, The Gutter Boys, won a local competition.
The walking tour makes my Hibbing visit worthwhile. The townsfolk may be short on information, but the pamphlet guides me through Dylan’s past. “Positively 4th Street” wafts through my head as I gaze at the odd-looking blue house where Dylan lived as a kid. I stand on the street corner and stare at a second-floor window. Here, 60 years ago, the budding poet/singer was tuning a cheap radio to a distant Southern station, picking up the alien sounds of Blind Willie McTell and Dock Boggs.
The volunteer at the historical society is a rugged-looking ex-miner wearing a red and white plaid shirt. He has little to say about Hibbing’s most famous citizen, but he gives me an informative lecture on the importance of the mineral taconite to the area. Although I greatly respect people like him, who worked so hard for so long at a dangerous trade, I’m not all that eager to honor his request that I visit the large open pit at the edge of town.
Similarly, the elderly tour guide at historic Hibbing High School is extremely knowledgeable. He’s anxious to explain the architectural history of the building, called the “Richest Gem in Minnesota’s Educational Crown” when it was built in 1924.
The volunteer peppers me with information about the school’s architectural opulence, as we watch a video about the building in the principal’s office. This is all very impressive. But isn’t the main goal to educate young people?
The only time he mentions Dylan is when we enter the ornate school auditorium.
“This is where Bob Dylan was booed offstage” he wryly notes.
The tour guide looks to be about Dylan’s age. And he definitely knows a lot about this school, almost as if he has firsthand familiarity. Hmm. It’s certainly possible. I take the plunge.
“Did you attend school here?” I begin my query.
But he shoots me down midstream.
“No. I’m from Minneapolis.”