Rock & Roll Hall of Fame, Part Two

2013 004 

Despite all the computations
You could dance to a rock ‘n’ roll station,
And it was alright

               (Lou Reed, from the Velvet Underground song “Rock and Roll”)

Last month I inducted five bands into the longitudes Rock & Roll Hall of Fame, and promised there would be five more.  These, then, will wrap up the Top 10 artists I feel should have already been inducted, but so far been shunned by that other Hall.  You know, the one whose museum is in Cleveland but whose VIP induction ceremonies are usually shifted to the Waldorf Astoria in New York.

Sorry about the sarcasm.  I should try to keep things upbeat, especially when it comes to music.  Anyway, this induction is a time to celebrate!  A time to be happy! 🙂  And one of the best things about this ceremony is the total absence of self-congratulatory music biz backslapping, cronyism, and sloppy post-induction onstage “jamming” by bloated, bag-eyed, half-drunk, over-the-hill millionaire rock stars wearing ill-fitting dinner jackets.

Well, I tried.

The next five acts being inducted are… (Paul Shaffer, please leave the building):

New York Dolls: how can longitudes induct a band that made only one great record, and one very good follow-up?  Well, the Sex Pistols made only one great record, and there would be no Sex Pistols – and therefore nobody to label the RnRHoF a “piss stain” – had it not been for these proto-punk nasty boys.  Led by Mick Jagger look-a-like David Johansen (aka “Buster Poindexter”), the Dolls’ music was often ramshackle, but it was delivered with in-your-face panache. dolls Songs like “Personality Crisis,” “Subway Train,” “Frankenstein,” “Trash,” and “(There’s Gonna Be a) Showdown” are stripped-down rock & roll before the fall, straight out of a Staten Island garage or Bowery basement.  Classic New York City hard rock, with exaggerated androgyny just for humorous effect.  Iggy and the Stooges made it to the RnRHoF, as well as the cartoonish Alice Cooper, so why not these guys, three of whom are already dead??  I’d ask record exec and RnRHoF guru Ahmet Ertegun, but he’s in rock & roll heaven too.

Todd Rundgren: the “Runt” seems like a 180-degree turn from the Dolls.  And like the Moody Blues from last month’s induction, he polarizes opinion: you either love him or hate him.  But Rundgren actually produced the Dolls’ classic debut album, as well as successful albums by Badfinger, Patti Smith, XTC, the Tubes, the Band, Hall & Oates, Grand Funk Railroad, Meat Loaf, Psychedelic Furs, and many more.  He’s also famous for his groundbreaking work in media technology.  But his induction rests on his own solo records, including his masterpiece, Something/Anything?, a double album filled with golden pop nuggets all written and sung by Rundgren and where he played almost all the instruments (long before the artist formerly or presently known or not known as Prince ).  Bravely changing direction, Rundgren followed with the kaleidoscopic A Wizard, A True Starrunt2Like many prodigies, Rundgren was erratic, and his philosophic excursions with his band Utopia didn’t help his case with RnRHoF.  But he’s one of the pop renaissance men, along with Paul McCartney, Brian Wilson, and Stevie Wonder.  And even more than the others, he was unafraid to risk failure or ridicule.  Songs like “We Gotta Get You a Woman,”  “Hello It’s Me,” “I Saw the Light,” “A Dream Lives on Forever,” “Can We Still Be Friends,”  “Time Heals,” “Bang the Drum All Day,” and others only scratch the surface of his significant contributions to rock.

Fairport Convention: similar to Love (see first induction), Fairport Convention is unknown to many rock fans.  They’re more familiar in England than America, where many hail them as Great Britain’s greatest folk-rock band.  Like the Byrds in America, Fairport covered a lot of Bob Dylan songs when they started, but they soon found their own muse, plundering English folklorist Cecil Sharp’s archives to create their own British Isles brand of psychedelic folk-rock.fairport  Singer Sandy Denny is regarded as having one of the best voices in rock or folk, sort of a cross between Bonnie Raitt and Judy Collins (her beautiful song “Who Knows Where the Time Goes” was famously covered by Collins).  Fairport also included critically respected guitarist-songwriter Richard Thompson.  If you haven’t heard this band, I encourage you to check out the albums What We Did on Our Holidays, Unhalfbricking, and Liege and Lief, which form the core of their catalog and earn them a spot in longitudes’ Rock & Roll Hall of Fame.

Procol Harum: yet another English progressive rock band.  What doesn’t RnRHoF like about these groups?  Are they too Caucasian, or European, or musically proficient?? (I’m convinced Genesis was inducted due to their Phil Collins-era pop molasses, not Peter Gabriel’s earlier, more intriguing influence).  But even critics of progressive rock are fond of Procol Harum.  Their lyricist, Keith Reid, didn’t play an instrument, but wrote clever gothic poems with references to rusted sword scabbards and haunted ships.  He had the perfect partners in pianist/arranger Gary Brooker and organist Matthew Fisher.procol  This axis was ably assisted by Hendrix-styled guitarist Robin Trower and thunderous drummer B.J. Wilson.  All of them gave Procol a sound like no other group, one that veered between crunching blues and soaring symphonic rock.  Last year they were nominated by RnRHoF but missed induction (“Sorry boys, maybe next time”).  A slap in the face to a great band that did “A Whiter Shade of Pale,” “Conquistador,” and made some very cool albums.  Longitudes hereby corrects the injustice.

King Crimson: here is a British band that wrote long, complex songs with flute, violin, saxophone, and keyboards.  And the keyboards included a Mellotron, a modified tape replay keyboard, no less. Oh my God, what heresy!  What would Elvis say!  Delta bluesman Robert Johnson is rolling in his grave (wherever his grave is located).  Despite RnRHoF’s misgivings, longitudes recognizes Crimson’s importance in stretching the boundaries of rock, with their bold explorations into free jazz, classical chamber music, and dissonance.  Led by erudite guitarist Robert Fripp, the only permanent member, King Crimson in the beginning included talented vocalist Greg Lake, later crimsonone-third of the supergroup, Emerson, Lake and Palmer, and multi-instrumentalist and tunesmith Ian MacDonald (who later went for the bread and formed Foreigner).  Pete Townshend of the Who called Crimson’s debut album, In the Court of the Crimson King, “an uncanny masterpiece.”  King Crimson influenced a lot of musicians, from Genesis to Rush to Nirvana.  More than just a band, they were a forward-thinking musical aesthetic.  But RnRHoF evidently prefers the group Heart.  ‘Nuff said.

Frank Zappa, pondering the idea of a Hall of Fame for rock musicians

Frank Zappa, pondering the idea of a Hall of Fame for rock musicians

13 thoughts on “Rock & Roll Hall of Fame, Part Two

  1. Fascinating read here. I came over because you had liked one of my musical posts about Fairport Convention. Interesting to see King Crimson here. I bought their albums in the 70s after getting into Yes and ELP. I feel I never quite understood them, except when Jon Anderson was singing with the band.
    Good to see an American appreciates Fairport Convention too – as I said in my blog they’re still playing.
    Enjoyed your blog very much.

  2. Thanks for commenting and following, Jamie! Yeah, I believe Anderson sang “Prince Rupert Awakes” on Crimson’s LIZARD album. I find Crimson a bit difficult too, but I think Fripp wanted to challenge his listeners. The first album is powerful, but also very listenable. And Fairport…what can you say? Such a great band.

    Thanks again, and I enjoy your great blog as well!

  3. Peter, I was very happy to find your well written blog. Good writing is rather rare these days especially with shorter pieces. I’m contacting you because I started an, “Induct Fairport Convention into, The Rock and Roll Hall of Fame” page on Facebook. This was done under the authority of current line-up although I do post photos of important past members along with videos (mostly) of the current bunch. Looks like the link did not come out hot or blue on my end but you can find it. Anyway; I would like to work with you on this project yet it seems impossible to find a phone number on this site (…or WordPress). I’m using the email address which links to Facebook and if you contact me that way I will provide a more private address. Thanks for the great work! Regards, Keith

  4. Good piece. Found FP from Richard Thompson’s work. Wealth of good music there. King Crimson is a fave of CB. Started with ‘Larks Tongue’ and never stopped. Robert Fripp is in a world and class of his own. Love when he cranks it up and lets loose. Musical ideas that just keep coming. CB has a photo of himself similar to Frank’s. Except it wasn’t posed.

    • Thanks! I hosted an avant-garde jazz radio show in the ’80s and had opportunity to talk with Fripp. He was teaching guitar in West Virginia at the time. Brilliant guy, with a technique all his own.

      • Missed your reply on this. Very cool. I’ve seen him live various times and it’s always worth it. I’d be interested on who else you talked to back then. He came through my way recently with KIng Crimson. I missed him but I heard it was the show of the year.

      • Cincinnatibabyhead, Hello and I saw your question on an email service I rarely use so late in replying. Best leads that I can provide is as an Admin. for, “Induct Fairport Convention into, The Rock and Roll Hall of Fame”. Fairport’s first female singer, Judy Dyble worked with, Giles, Giles and Fripp so she knows a great deal about that style as well as folk of course. Judy is on Facebook. The only other clue I have is from a conversation with Richard Thompson years ago in which he told me that he worked with John Cale of the V.U. meaning their were links especially when considering the long jams early in the careers of Fairport and the Velvets. Hope this is of some help. Regards, Keith

      • Regarding Richard Thompson and John Cale, they both appeared as session men on Nick Drake’s 2nd album “Bryter Layter” (maybe that’s the link you’re referring to?).

      • cincinnatibabyhead: Well; it is not really about me as I do this to support the band. That being said I have met (…besides R.T.), hung out with with or am Facebook friends with Maartin Allcock, Jerry Donahue, Judy Dyble, Simon Nicol, Dave Mattacks, Dave Pegg, Linda Thompson and Ric Sanders to the best of my recollection. Hope to learn your real name sometime and please sign up for, “Induct Fairport Convention into, The Rock and Roll Hall of Fame” page on Facebook. Thanks, Keith

      • Kieth, CB was responding to Pete’s interview with Robert Fripp back when he had a radio program in the 80’s. So it’s very good info but I think it was someone else’s question. ( ‘The Cheerful Insanity of Giles, Giles and Fripp’ is a CB favorite)

  5. I would much rather see the Rock and Roll induction ceremonies with your TRUE rock and roll artists then any ceremony by the real museums (I never watch them because the powers that be forgot what rock and roll artists is). Great list Pete and really good choices.

    • I appreciate it, Dennis. I dislike that thing for so many reasons, I won’t even get started! I like that Cleveland has a nice-looking museum it can be proud of. And that SOME important but commercially unsuccessful artists are recognized (Velvet Underground, Small Faces, Stooges etc.). But beyond that… ehhh. 🙂

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